Director: Nelson Conway
Musical Comedy – Full Length
Rating: PG-13 (language)
When
April 13 – 28th, 2012
Details
A Comedy Musical Murder Mystery | 2 Acts.
It’s the brassy, bright, and promising year of 1959. Boston’s Colonial Theatre is host to the opening night performance of a new musical. When the leading lady mysteriously dies on stage the entire cast & crew are suspects. Enter a local detective, who just happens to be a musical theatre fan!
Book by Rupert Holmes; Music by John Kander; Lyrics by Fred Ebb. Original book and concept by Peter Stone.
Additional lyrics by John Kander and Rupert Holmes
Story
Robbin’ Hood of the Old West, a bad Western adaptation of the Robin Hood story is reaching its conclusion. The egregiously untalented leading lady, Jessica Cranshaw is a triple threat: she can’t sing, act, or dance (or remember when to say her lines). To the relief of everyone, she is murdered during her opening night curtain call. The entire company comes under suspicion, and Lt. Frank Cioffi of the Boston Police Department is called in to solve the homicide. Believing that the perpetrator is still in the building, he sequesters it.
The Suspects include the hard-bitten lady producer, Carmen Bernstein; her husband, Sidney; the show’s flamboyant director Christopher Belling; divorced songwriting team Aaron Fox and Georgia Hendricks; Stage Manager Johnny Harmon; choreographer/leading man Bobby Pepper, ingénue Niki Harris, and ambitious chorine Bambi Bernét.
The company use its spare time to attempt to fix the show’s problems. Niki, Ms. Cranshaw’s understudy, is passed up for the leading role in favour of Georgia, who is encouraged to take the role despite the protests of Aaron, who has fallen in love with her again. Cioffi, a theatre fan and amateur actor, becomes more involved with saving the show than solving the case. Cioffi finds himself falling for Niki, and she seems to return his affection, so he hopes she’s not the murderer. Meanwhile, secrets are surfacing, the production numbers in Robbin’ Hood are rewritten, rehearsed and rewritten again, and the body count is rising. Can Cioffi solve the case, save the show, and get the girl before the curtain rises without getting offed himself? This is a musical, after all!
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